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Roy Pomerantz - Practice, Practice, Practice

Throughout his juggling career, Roy Pomerantz has performed in hundreds of venues across the world. Carlo’s The Juggling Book left a lasting impression on Pomerantz as a child, inspiring him to manipulate objects in unique and exciting ways. He felt The Juggling Book taught him to think outside juggling’s traditional realms of contemplation, and his insights motivated him to become a professional. Years later, Pomerantz is recognized as a leader of his art form. He believes practice, practice, practice is the only way to ever ascend rank and juggle at the professional level.

As a seasoned performer, Pomerantz is privy to the essential elements of a top-notch juggling act that draws in audience members and keeps them entertained. You should employ the proper footwork to maintain your balance and grace since most of your senses’ focus will be on juggling. That’s why it’s important to walk around during your practice sessions. Try to draw a circle or other shape while juggling so when you’re performing later, muscle memory traces these shapes and no extra energy is expended worrying about footwork. If you want, have a helper or partner create obstacles that resemble real-life scenarios since the unpredictable can happen at any moment when performing your act. Implore your helper to kick soccer balls in your direction so you can get used to working around distractions.

Roy Pomerantz is a well-known American juggler. In order to be a professional juggler, you must push your limits and practice, practice, practice.

Roy Pomerantz - You Control The Balls

The foundation of all juggling moves is the basic cascade. Start your training with one ball in your stronger hand. Toss the ball to your weaker hand in an arc slightly above your head. When you catch the ball, do not reach with your weaker hand because you control the balls. Not vice versa. It is critical you are focused yet relaxed when trying to perfect the basic cascade. Upon perfection of this skill, switch hands so you are tossing from weaker to stronger.

Soon enough, you should be ready to juggle a trio of balls. Place two balls in your dominant hand and one ball in your less dominant hand. Toss one of the two balls in the same arc. Just as the ball begins its descent from maximum height, throw the single ball in your weaker hand along the same arc underneath the oncoming ball. Catch the first-thrown, oncoming ball with your weaker hand, which is now free. When the second ball reaches its highest point, repeat the process. Again, again, again. If successful, you will be performing the basic cascade, one of juggling’s most basic and useful skills.

Warning: depending on how well you read and how you respond to words on the page, it may be difficult or impossible to implement the basic cascade by reading this blog post. If that’s the case, supplement this step-by-step guide with YouTube videos demonstrating the basic cascade or listen to an instructional podcast while practicing the skill. Sometimes watching what others do and trying to emulate their movement is more helpful than reading directions.

There are several key components to both perfecting and expanding the basic cascade. First, juggle the balls at relatively the same height to keep your juggling clean and controlled. Second, keep your arms straight. The natural position when you juggle is to crook your elbows at ninety degrees; however, to make your juggling appear expert and seamless, toss the balls with your arms at your side. If you master this trick, you will be a stronger and more disciplined juggler. Third, establish eye independence. Juggle in front of a mirror while looking at the mirror to ensure your arcs are even and your hands steady. This will also train you to not track the balls while tossing them, improving your skills and making you a better performer (if you aspire to juggle for an audience). Of course, the next step is to remove the mirror and practice juggling while looking out over a pseudo-audience. Making eye contact with lookers-on heightens your performance tenfold. The final step is juggling with a blindfold, but this is a particularly difficult skill that requires dozens if not hundreds of hours of practice. It’s okay if that takes quite some time to master.

Fourth, practice walking and even jogging while juggling. Some call it “joggling,” and it’s great practice as well as exercise. Try walking backwards, side-to-side, and in circles while juggling, too. Fifth, spread your arms like wings while juggling. Always a crowd pleaser, this skill requires precision when arcing the balls because you don’t want to have to scramble for catches. Varying the height of the balls is a great practice tool, too, as well as a visual feast for your audience.
Well-known American juggler Roy Pomerantz perfected the basic cascade as a child. He stands by the skill’s importance because it’s a bridge to other, more complicated and crowd-pleasing tricks. The cascade also helps aspiring jugglers understand that you control the balls. Not gravity or anything else. Pomerantz has performed at art festivals, store openings, hospitals, trade expositions, discos, comedy clubs, and on the steps of the New York Public Library. He debuted in Las Vegas at the Sahara Hotel.

Roy Pomerantz - Winning Over the Audience

Roy Pomerantz, a professional juggler who has performed for every type of audience imaginable, knows that connecting with an audience boils down to a passion for people. Finding ways to communicate with the audience during a performance is just as much a part of the routine as the technical skills and techniques, and working to build that rapport helps admirers feel more connected and inspired.

Engaging with your audience is key. At times, of course, this means speaking. Explaining what you do as you are performing, telling stories, and implementing methods that allow your audience members to participate can take your act over the top. Body language is also important. Making eye contact and smiling can shift the entire mood of a performance, and these are among the simplest methods to deepen the relationship with an audience without breaking your focus.

Allowing your admirers to fully take in separate parts of the routine, known as a stop and style, ensures that onlookers won’t become overwhelmed. It can be difficult for an audience member to fully recognize and appreciate how difficult a particular trick might be, and it’s important that you give them time to catch up. Pausing and allowing people to applaud and enjoy helps your audience remain engaged and interested.

Roy Pomerantz is dedicated to helping people feel more awe-inspired by the world they live in through his acts. He has performed in every type of venue imaginable, including the streets of New York, carnivals, hospitals, schools, and more.



Roy Pomerantz - The Mental Benefits of Juggling


Juggling has been celebrated for thousands of years, and Roy Pomerantz knows that this form of entertainment has continued to inspire audiences across the world because it speaks to a deeper magic of what the human body is capable of achieving. As it turns out, this skill goes much deeper than simple recreation. The abilities one develops as a result of juggling have been proven to strengthen the mind in regard to spatial reasoning and problem solving in a number of studies.

The complicated dance of juggling can actually be useful for our brains. By understanding the relationships between the objects you are using, the brain learns to adapt in innovative ways, as dictated by a six-week study in which twelve people juggled for thirty minutes each day with brain scans taken before and after. The scans that were taken afterward clearly displayed that changes took place in the participants’ white matter, connecting different parts of the brain. For the participants of the study who did not juggle, no changes occurred.

It has also been suggested that juggling helps strengthen mental rotation, highly connected with mathematical skills and spatial reasoning. Picking up the skill demonstrated in a 2009 study over a three-month period, participants had improved their spatial reasoning in test form when asked to imagine taking the same shape and rotating it in space to show different perspectives.

Roy Pomerantz is a professional juggler and a graduate of Harvard Law School and Columbia College. There is nothing he enjoys more than sharing the benefits of his passion.

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Roy Pomerantz - Juggling for Beginners

Roy Pomerantz, a professional juggler who has appeared on CBS Nightly News and on Good Morning America, is dedicated to helping young learners become confident in their skills. He says that with some practice, anyone can become a juggler by taking the following steps:

1. Begin by getting the feel of the ball’s path through the air, known as the arc. Throw a ball back and forth from one hand to the other, looking to reach eye-height at its peak. If balls or beanbags feel a little too heavy at first, try with tennis balls.

2. Focus on using a scooping motion with your hands to move fluidly between throws. Maintaining a scooping position with your hands will keep the balls moving smoothly.

3. To fully understand the anatomy of the motions and movements, take a ball in each hand and throw the first toward the other hand in an arc and lower your other arm to send the other ball towards your empty hand when the first ball reaches the top of its arc, at eye-height.

4. Once you’ve mastered the previous motion, work toward the three ball cascade in which you hold two balls in the right hand and the other in your left hand. Launch one ball from your right hand to the left and when the ball reaches the peak of the arc, reverse and throw the ball in the left hand to the right in the same manner.

Roy Pomerantz is devoted to educating enthusiasts to become skilled and passionate jugglers.



Roy Pomerantz - A Whimsical Story

Roy Pomerantz, a graduate of Harvard Law School and Columbia College, is the perfect example of a professional juggler with a magical beginning. As a child, his introduction to juggling took place in a small local magic shop where he discovered Carlo’s The Juggling Book. Flipping through its pages, he became completely hooked and mastered each and every trick he read about.

Over time, his passion for juggling grew deeper and deeper. It became a way of life rather than a simple hobby, and he improved at a rapid speed to begin manipulating items such as devil sticks, hatchets, fire, and much more. He particularly enjoys the human element of it, the energy that he obtains from performing for a rapt audience. His acts are, of course, designed to entertain and inspire, but he is always seeking to connect on a deeper level with those who come to watch his feats.

Roy Pomerantz has had a great deal of success in a specialty that is extremely difficult to break into professionally. He has performed on Good Morning America, CBS Nightly News and he has even been featured in “The New York Times.” Pomerantz is also interested in developing deeper connections with his community. He has participated at a number of fundraising ventures, and he has also performed at the Children’s Museum in Manhattan and the children’s ward of the Sloan-Kettering Hospital. He is dedicated to giving back to these organizations because he knows that sharing his talent is just one more way to spread joy in the world.

Roy Pomerantz - Ideas for Objects to Juggle

With years of experience in juggling, Roy Pomerantz has juggled various objects of different weights, sizes and shapes. Through numerous cases of trial and error, he has had the opportunity to see what works best for his routine and the positive responses of his audiences have served as his main outlet for feedback. Below are some things that jugglers use to impress their spectators.


Perhaps the most popular juggling items are balls. There are balls that are manufactured to be used for juggling; however the juggler is not limited to that option. Instead, jugglers can use a variety of balls, even all at the same time perhaps. Tennis balls would be the most common choice for beginners.

Dangerous Props

As jugglers get more skilled, they look for new ways to get more attention. Many opt for props that are either sharp or on fire. There should always be some kind of supervision during training. Even the professionals don’t practice this stuff alone.


Some jugglers prefer bean bags, hacky sacks and other soft, malleable items to toss into the air. These items will slightly mold to your hand as you grip them, which makes for easier catching and throwing as well as stacking while in the palm.

Roy Pomerantz - Clown College

"Congratulations, Roy Pomerantz! You have been chosen to attend the most selective college in the country. From over 5000 applicants, only fifty students have been admitted."

Roy Pomerantz was extremely excited when Dean Severini of Ringing Bros. and Barnum & Bailey Clown College calmly said those words over the telephone. Pomerantz had completed a detailed application, auditioned twice, appeared on several television networks and returned to Madison Square Garden for a final interview, but was still a little stunned when the call came. He also knew that a very difficult decision would have to be made.

Pomerantz was being asked to indefinitely leave Columbia College of Columbia University in order to study with the finest performers in the world and eventually tour with "The Greatest Show on Earth."

The call from the dean of Clown College forced Pomerantz to seriously reflect on the progress and importance of his academic career and to consider his life's direction.

Pomerantz’s interest in the circus originated from juggling, a skill he had become adroit at while attending high school. Three, four and five ball patterns seemed second nature to Pomerantz after studying with the MacArthur "Genius" Fellow Michael Moschen at the New York School for Circus Arts. Art festivals, store openings, hospitals, trade expositions and comedy clubs were all perfect places to demonstrate and improve his performance. Pomerantz even entertained on the steps of the New York Public Library. These exposures prepared him well for his Las Vegas debut at the Sahara Hotel.

However, his love for Columbia and the education he was receiving permeated much of his thinking. At that moment, Pomerantz was immersed in Columbia's Core Curriculum courses including Literature Humanities and Contemporary Civilizations. When Ringling Bros. requested the final response, Pomerantz’s decision became obvious. Pomerantz loved his Columbia classes and was actively involved with many different student organizations. Pomerantz still had two years of undergraduate work to complete and his aspiration was to become a counselor-at-law.

Pomerantz promised himself he would continue to pursue object manipulation throughout his life. Clown College would have to commence without him.

Pomerantz’s decision to reject Ringling Bros. in no way precluded his continued involvement with juggling. Pomerantz became the featured entertainer in dozens of halftime shows at Columbia football and basketball games. Pomerantz also taught a juggling course for the Alternative Education Program and founded the Columbia Juggling Club.

Pomerantz has had a fulfilling career in law and business and on a good day can still complete a run of 100 throws with five clubs. Pomerantz performs juggling for numerous charitable and philanthropic organizations.

Pomerantz’s decision to stay at Columbia enabled him to pursue a rewarding career while keeping up with his artistic passion. But there are times Pomerantz sees Penn & Teller's Penn Jillette (a Clown College graduate) on television and still thinks it would have been fun to have had classmates like Penn at Clown College.

Roy Pomerantz - Putting Together Your Juggling Attire

Roy Pomerantz is a juggling professional who has been successful for creating a look and routine that is uniquely his own. The first part of that formula is of utmost importance, as your look is what you will be recognized by when you are not engaged in your act. Below are some basic tips on how to put together your juggling attire so that you are setting yourself up to be separated from the rest.

Starting At the Top

When it comes to putting together a look for your juggling act, start with that smiling face that people will be watching as you focus on juggling different props. Lots of jugglers and similar acts will paint their faces, wear neat hats or wigs and do a number of other things to their upper half. Think of a theme to start with at your head that you can apply downwards on your body.

Costume Wear

Most jugglers prefer to wear some kind of costume or flashy attire to cover their torsos and legs. By putting together numerous different designs, they can show off their unique characteristics through an eye-grabbing costume. One unifying factor, however, is that many prefer clothing that is looser on the arms so they can have a full range of motion.

Roy Pomerantz - Being an Entertainer

Roy Pomerantz is a professional juggler who has entertained many crowds.  Below is a breakdown of some of the basic challenges of being an entertainer that are not limited to jugglers, but rather shared by actors, musicians, comedians and all other performance artists.

The Ability to Draw an Audience

It is tough to win over a large crowd of people, - - just ask a street performer. These artists get by on drawing the attention of pedestrians as they go on with their daily lives. The ability to stop people in their tracks and get them to devote their attention to your act is a great skill. It also sets the stage to make them laugh, cry, cheer and enjoy the act.  Which brings us to the next poin...

The Ability to Captivate the Audience

Whatever act you are presenting to your audience, whether it be musical, theatrical, or even a display for your athleticism or flexibility, you want to draw out the emotion of your spectators.  Once you have a hold of them, you want to take them for a ride.  Which brings us to our final point….

The Ability to Influence the Audience’s Emotions

Once you have displayed the ability to draw an audience and captivate them, you must then influence their emotional reactions to your performance through careful planning and preparation. Much like the conductor in a symphony, you must raise them and drop them, pull them and drag them through the duration of the entire performance, so that by the time the climax is around the corner, you are the center of their absolute focus.

Roy Pomerantz is highly experienced when it comes to drawing, captivating and influencing the emotions of audiences. As a juggler, he brings out the excitement in others through his artistry.


A True Art

Juggling looks easy when you're watching those who really know what they're doing, but for those who are just starting out it can be incredibly frustrating. How do you keep all of those balls in the air? Veteran jugglers say that juggling is a true art that takes a lot of practice and a lot of patience. It's common for students of juggling to get frustrated when things aren't going right.

Those who have gone from beginner to intermediate or even master juggler say that a good juggling credo is, make the hard look easy and make the easy look beautiful. They say that like most things in life, persistence pays off, and you'll only get out of it what you are willing to put into it.

Everyone was a juggling newbie at some point, and even those who have turned into masters dropped their props when they were just getting started. Some report having practiced until their hands and fingers were getting numb, and they still felt like they weren't making any progress. When that happens it can be helpful to take a little break. But don't give up, because sometimes it's those little breaks that help the unconscious part of the brain process new data, and fix what is going on with the hand-eye coordination needed for some fancy new trick.

Roy Pomerantz began juggling when he was in his early teens and has devoted thousands of hours to perfecting his art. By now he has performed for countless audiences, and has even been seen juggling on the Good Morning America television program and CBS Nightly News.


The Three Ball Cascade

The first juggling trick that most jugglers learn is called the three-ball cascade. It takes a lot of practice to get it right, but with patience most are able to master it. Once they do, students of juggling are ready to move on to more advanced tricks.

Roy Pomerantz is a highly skilled juggler who learned how from a book called Carlo's Book of Juggling, which he found in a magic shop when he was a kid. Beginning jugglers can turn to the Internet; there are many juggling videos on YouTube alone that can get you started with the basics, and then advanced tricks. Experienced jugglers say that some of the Internet videos aren't all that good, but with a little searching it's possible to weed out the ones that don't work.

There are many basic juggling tricks to learn beyond the cascade. They might be considered basic but they still look great; it's just that they don't involve any particularly complex movements or patterns. These tricks include the Sky High, Tennis, the Reverse Cascade, Under the Leg, the Columns and Columns Variations, the Arm Roll, the Flash, the Behind the Back, the One Ball Pirouette, the Shower, the Half Shower, and the Yo-Yo.

Like any discipline, the more you practice the better you'll get. Roy Pomerantz understands this. He has taken what he began learning as a boy and developed into a highly skilled juggler. He says that jugglers need great athleticism, artistic ability, and perseverance to really perfect their art.


An Entertainment Discipline

Juggling is one of the oldest entertainment disciplines there is. Its been around for at least four thousand years. There is evidence of juggling in ancient Egyptian tombs, and in many other world cultures, including the ancient Greeks and Chinese, the Aztec Indians, and Native American Indians. It seems to be a universal human pursuit.

Starting in about the early nineteenth century, juggling began to get specialized. Early jugglers were known as weight jugglers because they specialized in tossing heavy objects, such as cannonballs. Other early jugglers were known as salon jugglers, and they used to take familiar objects like top hats, gloves or canes, to entertain their audiences. Another form of juggling that began early on was equestrian juggling, which is still performed to this day. The performers would juggle objects while they rode on horseback.

One of the more unusual forms of juggling involves juggling objects using only the feet. It may be combined with acrobatics. But juggling really entered a golden age with the advent of Vaudeville in the earliest years of the Twentieth Century. Jugglers were among the most popular kinds of entertainers in theaters all over the United States during this era. Vaudeville is long gone, but there are still street performers all over the country who can be seen at summer art fairs doing all of the classic tricks that have delighted audiences for generations.

Roy Pomerantz began juggling when he was a kid, when he came across a book called Carlo's Book of Juggling. His enthusiasm for juggling was immediate, and he still works on perfecting new moves including 7 ball and 5 club juggling. 


Why You Need a Hobby

Roy Pomerantz is a very busy man. Yet, he still finds time for relaxation and general entertainment. He is an avid juggler and practices every chance he gets. He enjoys entertaining and sharing his love for the art, and at one point even considered pursuing a career in the field.

Hobbies provide a method of release from your daily activities. With a hobby you are able to relieve stress and frustrations so that after your break you can attack the troubles of the world once more with full force:

Your mind becomes clear after doing an activity you enjoy.

Your creativity becomes heightened. This may prove very beneficial for your business as then new ideas can occur to you during these moments of heightened creativity.

You will socialize more and as a result hone skills which will become necessary when dealing with clients and fellow workers.

 You will gain the belief in yourself necessary to do your best in your daily life.

You will focus on one thing at a time. In this day and age with so many distractions, it can become difficult to focus on one thing at a time. When practicing your hobby, in Pomerantz’s case, juggling, it takes immense concentration in order to improve.

Hobbies do not only contribute to stress relief and fun, but can also contribute to personal growth and self-development.


 The Benefits of Juggling

With a long career in juggling, Roy Pomerantz is well-versed in all of the benefits of this hobby. He has made national television appearances on Good Morning America and CBS Nightly News, and he has also been featured in such popular publications as the New York Times and Newsday. Besides recognition, there are a number of other benefits that come from juggling and are shared below:

Improved Dexterity

Dexterity is best measured by one’s ability to do things with your hands. Juggling helps build dexterity because it teaches muscle memory that tells your hands to automatically do certain commands.  Dexterity is a quality that can be used in a wide variety of capacities.

Improved Hand-Eye Coordination

Hand-eye coordination is important for reaction times, as the term mostly relates to how fast your eyes can communicate necessary details in order to make quick judgments and movements. In juggling, hand-eye coordination is what will save you when your muscle memory can’t; for example, when a wayward ball makes its way out of the rotation and you have to recover it.

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Roy Pomerantz - Tips for Business Success

Roy Pomerantz is the successful CEO and leader of Baby King, one of the premiere providers of high-quality baby products and accessories worldwide. A successful and savvy business leader, Pomerantz is a proven to have the skill, dedication and expertise needed to ensure his team is focused and prepared for the future, as well as to overcome the challenges of an ever-changing and turbulent business climate through hard-work, planning and innovation.

Below, Roy Pomerantz seeks to provide several basic tip for success to aspiring business professionals; an effort to lend a helping hand to those looking to make a name for themselves in an ever-competitive and demanding business community.

Try to Add Value

Businesses are always looking for people that add will not only aid their organization in the fulfillment of the company mission, but who can add something a little extra; a value that help to improve efficiency, effectiveness or that can help spark a little innovation in the workplace. When trying to establish yourself, and your place, with an employer, says Roy Pomerantz, do your best to determine what special value you can add to the company, and work diligently to make this happen.

Know Your Passion and Follow It

Determining one’s true passion in life, and in career, is one of the hardest things a young professional can do, though identifying what one’s true passion really is can open up a surprising amount of opportunity. Take some time, preferably by yourself, to determine not just what you’re good at, but what it is you really enjoy doing, and follow that passion as far as it will go.



Roy Pomerantz - Grace, Discipline and Pure Skill

As noted juggler Roy Pomerantz knows, the art form of juggling is one that requires a high level of discipline, grace and pure skill; qualities that are all essential to the success and development of any aspiring juggling professional. As one who possesses a strong enthusiasm and unwavering passion for the sport of juggling, Pomerantz has effectively and consistently demonstrated the qualities that constitute a great juggling talent, someone who has achieved considerable success and recognition as a performer for decades.

Roy Pomerantz believes in the open and positive nature of juggling, an activity that never deceives the audience and which is open to people of all backgrounds, races, religions, ages and more. Unlike magic, a form of entertainment built on the art of deception, juggling is a “what you see is what you get” type of performance, one with no trap doors, misdirection or aces up the sleeve. Juggling, believes Pomerantz, is a powerful way to express one’s individuality and creativity, and to create a memorable and rewarding experience for people of all ages.

Roy Pomerantz has been a passionate juggler for years, having picked up and developed an obsession with the sport at the age of 14. From the time Pomerantz discovered his first how-to juggling book, he was immediately hooked, and has practiced, performed and perfected his craft ever since.

When Pomerantz isn’t busy entertaining others with yet another incredible stage performance, he is serving as CEO of Baby King, an industry-leading baby products distributor located in Saint Albans, New York.



Roy Pomerantz - A Great Selection of Baby


Current Baby King Chief Executive Officer Roy Pomerantz enjoys the opportunity to bring his customers an amazing selection of high-quality baby products, including anything from feeding products, pacifiers, bathing supplies and accessories to toys, teething supplies, layette & blankets and more. Pomerantz understands that the consumer has many choices when it comes to baby products and supplies, though he stands behind the incredible selection of baby-oriented products currently available through any one of the four Baby King locations and through its website,

Roy Pomerantz has been the leader of Baby King for many years, and continues to merchandise the best quality items and accessories in the industry. The company, which both imports and distributes some of the best-made baby supplies in the industry, is committed to providing the best selection and the best service available, and has been a great source of baby-related goods for many years.

Roy Pomerantz and Baby King offer a selection of more than 500 products to customers in numerous locations, including two in New York, one in Chicago and one in Philadelphia. The Baby King team takes pride in providing quality, value and great service to every customer, and to see that consumers have the best variety in the industry.

Pomerantz, a graduate of Harvard Law School and Columbia University of New York, respectively, is continually seeking out new, exciting and innovative baby product concepts for his customers; an effort to ensure his company is always at the cutting edge of the industry. A proven business leader, Pomerantz never rests in his pursuit of the finest quality baby products and supplies.


Roy Pomerantz - Like Riding A Bike

Juggling is a skill that involves timing, coordination, athleticism, and artistic ability. It takes a lot of practice to learn, but many jugglers say that it's kind of like riding a bike: once you learn how, you'll never forget.

The most basic juggling involves three small objects, usually balls or bean bags, and keeping two of them in the air at all times. This is called toss juggling, and the most basic juggling trick, or pattern, is called the cascade. Sometimes jugglers refer to the objects they juggle as props. In addition to balls, other fairly simple props include clubs, rings, and small objects such as apples.

More advanced jugglers get into dramatic props like torches or knives, and some have even been known to juggle chainsaws. There is always an element of risk involved, and even the most highly trained jugglers can make a mistake now and then. So using these advanced props is not for the beginner. Like they say on TV sometimes, don't try this at home. Advanced jugglers also perform in groups sometimes, juggling different objects between themselves.

There are some surprising benefits to juggling. It helps to develop concentration, as well as hand-eye coordination and patience. Serious jugglers need to keep going in spite of any doubts or setbacks, and there is a lot of practice involved.

Roy Pomerantz is a skilled juggler who learned the discipline when he was young. He has gone on to perform in many different settings, including discos, carnivals, camps, schools, hospitals, fundraisers, halftime shows at college football games, and even on the streets of New York.